We make years of training count through guidance, ballet coaching and authentic application photos and films.
We truly believe that their coaching, guidance, and artistic eye played an important role in these achievements.
Before the shoot, Adélie worked online with Nina and Tibor to refine her ballet positions, expression and presence. In the Frankfurt studio, that preparation met an atmosphere where she felt understood and supported as a young artist. The experience helped her grow in confidence — both in front of the camera and in herself.
Her family also booked a separate Fine Art shoot to celebrate her personality and creativity. They left with photographs to treasure and a daughter full of inspiration and renewed motivation. They loved the experience so much that they booked again — and found their second visit just as special.
An intensive, a masterclass, pre-vocational or vocational ballet training: suddenly there are requirements to compare, photos and films to organise and deadlines to meet — on top of school, ballet classes and family life.
Photo positions, video content, formats and deadlines vary. Even the same exercise may need a different camera angle for another academy. A short clip here; a 15-minute film of barre, centre, allegro and solos there — with details scattered across websites and forms.
A variation, a contemporary solo cut to length, combinations in a set order: each needs focused preparation alongside regular ballet classes, with technique, dynamics and expression coming together.
A panel’s first impression may be a photograph or a few minutes on screen. Timing, framing and image quality need to bring your child’s technique and expression to life.
Photos and film may only open the door. A live audition or trial week means an unfamiliar studio, new combinations to learn on the spot and a watching panel. Staying calm is part of being ready.
Your child deserves to walk in ready — and to be seen for everything they can do.
A strong application brings three things together: clarity about the requirements, focused preparation, and material that shows your child at their best.
We review the official requirements for each application and keep every deadline in view — and, where you want it, identify and assess further opportunities. You are not facing this alone.
We prepare what the application calls for: one dancer at a time, with the coach whose field it is — always alongside your child’s ballet school, never in its place.
Then we capture it: photographs, and film where the application asks for it, in the format it requires. Clear, honest and ready to submit.
You do not need a shortlist or a clear direction yet. We will help you find the right support.
Your child is applying for an intensive, a masterclass or pre-vocational or vocational ballet training at an academy and needs the photographs on its requirements list — ballet positions and a headshot where requested.
€900
Photography · including VAT
Optional application video · +€500 incl. VAT
Does the application also ask for a short video — a few barre exercises or a variation? Our coach helps refine your child’s prepared performance, and we film it at its best, ready to submit.
You are considering several academies, intensives or masterclasses — or want to keep your options open and have the application photographs ready.
€1,300
Photo Season · including VAT
Optional application films · from €500 incl. VAT
Also for films with several sections or versions, even for one application. Your child can already perform the required content confidently. Exact fixed total confirmed before you book.
Your child is serious about a future in ballet. Our flagship programme brings guidance, individual training and application support together — with your family supported every step towards an academy.
Individual fixed price
Agreed in a written proposal
“We regularly need professional photos for Alina's applications to summer intensives. We've had other photographers, but this combination of professionalism, artistic flair, and so much humanity is unique — the perfect companions on her journey. You simply feel you're in the best hands.”
“The video was so comprehensive — barre, centre, allegro, a classical variation and a contemporary solo — with high-quality headshots and dance photos as well. We had complete material for several applications straight away, with nothing to re-produce. You can tell this isn't just photography — there's a real understanding of what truly matters in a dance audition.”
From the first conversation to finished application material — and, with our Élève programme, through the submissions themselves.
WHAT WE DO
WHAT YOU GET
WHAT IT MEANS
WHAT WE DO
WHAT YOU GET
WHAT IT MEANS
WHAT WE DO
WHAT YOU GET
WHAT IT MEANSNot every child needs the complete path.
See which programme fits your child's situation.
Vaganova graduate and former soloist — dancers she has coached have been accepted at renowned academies.
She coaches in German, Russian or English.
Nina trained at the Vaganova Academy in St. Petersburg from 1988 to 1996. After graduating she danced with the Eifman Ballet, then from 1997 with the Kremlin Ballet — in the corps de ballet and in solo roles of the classical repertoire. In 2001 she became a soloist at the Rostov State Opera; from 2002 she danced with the Stanislavsky Ballet in Moscow, touring Europe, the USA and Asia. Alongside the stage she qualified as a ballet teacher and choreographer in 2006. She teaches classical ballet at Dr. Hoch's Konservatorium in Frankfurt, and she is the founder and director of the Frankfurt Ballet Masterclasses and of the Frankfurt International Ballet Competition (FIBC).
On professional stages since 2011 — now leading a dance company's daily training.
She coaches in English, Italian or German.
Greta danced as a soloist with Balletto di Milano and Staatstheater Cottbus, then spent eight seasons with the Hessisches Staatsballett, performing works by Ohad Naharin, Sharon Eyal, Damien Jalet and Edward Clug. As guest rehearsal director at Theater Heidelberg, she leads the company's daily ballet and contemporary training. She teaches contemporary intensives and workshops — and prepares young dancers for academy auditions. Her coaching pairs structured technique with guided improvisation, adapted to the dancer in front of her.
A professional dancer and, for nearly a decade, a teacher across Europe — the audition itself is his subject.
He coaches in English or Italian.
Classically trained, he teaches contemporary and coaches pre-professionals and professionals through auditions, competitions and career steps — in workshops, intensives and one-to-one coaching. An award-winning choreographer, he creates a piece for a single dancer where an application calls for something that does not yet exist — work that belongs to our Élève programme. His conviction: no dancer should be pressed into the same mould. He helps each one find their own strengths — and show them clearly when it counts.
Every coaching session is one-to-one. Which coach works with your child depends on the target academies and what each application requires — we bring in the right specialist once that path is clear.
Pro Ballet Technique is for serious dancers from around 11 upwards who are preparing for an academy, intensive, masterclass or university application — and for the parents guiding them. If you have a particular opportunity and its official requirements, we look at them together and tell you plainly which programme fits, or whether you do not need us. Dancers auditioning for a company are welcome to bring that to the introductory call — we arrange that work individually.
Is your child preparing for an audition? Let us talk.
Book your introductory call
